Image Credits

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Image header: René-Antoine Houasse. Apollon poursuivant Daphné (detail). 1677. MV8378. Versailles, châteaux de Versailles et de Trianon. Photo credit: © RMN-Grand Palais, Château de Versailles / Gérard Blot.

News & events

Image header: Giovanni Antonio Galli. Saint Mary Magdalene (detail). Oil on canvas. The Walters Art Museum. Creative Commons. Unsplash Licence: norbert-buduczki-I76YI6nXwTc-unsplash-e1615876021986.

Staff

Image header: Jean Ranc. Bárbara de Braganza, Princess of Asturias (detail). c. 1729. Oil on canvas. Museo Nacional del Prado.

HDR Candidates

Giuseppe Recco. Flowers by a Pond with Frogs (detail). 1670-1679. Oil on panel. Walters Art Museum. Creative Commons.

Streams

Image header: Michelangelo Merisi detto il Caravaggio. Narcissus (detail). Oil on canvas. Galleria Nazionale d’Arte Antica, Rome. Creative Commons.

Gender

Images from left:

Melusine Flying, half princess half dragon. Français 24383, fol. 30r. Département des manuscrits. Bibliothèque nationale de France. Public Domain. Source: https://gallica.bnf.fr

René-Antoine Houasse. Apollon poursuivant Daphné. 1677. MV8378. Versailles, châteaux de Versailles et de Trianon. Photo credit: © RMN-Grand Palais (Château de Versailles) / Gérard Blot.

Jacopo Carucci. Portrait of Maria Salviati de’ Medici and Giulia de’ Medici. c. 1539, Oil on panel. The Walters Art Museum. Creative Commons. 

Material Cultures

Image top right: Enamelled Watch with Flower. 17th century. The Walters Art Museum. Creative Commons.

Images from left:

Embroidery of the Annunciation. Mid-15th century. Silk and metallic threads on linen. Netherlands. The Met Museum. Creative Commons.

Cabinet. c. 1655–1659. Engraved decorations c. 1825–1850. Workshop of Melchior Baumgartner. Germany. The Met Museum. Creative Commons.

Paris Bordon. Man in Armour with Two Pages. The Met Museum. Creative Commons

Mobilities

Image:  Husain. The Angel Tobiah. c. 1590. India. Virtual Collection of Asian Masterpieces. Creative Commons.

Digital Humanities

Images from top right, clockwise:

Deniz atlasi. 10th century AH/16th century CE. MS W.660. Maritime Atlas. Turkey. Walters Art Museum. Creative Commons.

Katrina Grant. Screen-shot. Digital Campagna Project.

Cingolani della Pergola et al., “Topografia geometrica dell’Agro Romano….” 1704. British School at Rome. Creative Commons.

Projects

Travelling Objects: Art and Cultural Diplomacy

Image header: Médaille avec bélière. Avers : buste de Louis XIV tourné vers la droite. Musée de la civilisation, collection du Séminaire de Québec, CC BY-NC-ND 2.5 CA.

Zacharie Vincent Telariolin. Self Portrait. c. 1878. Oil on paper, 62.5 x 53 cm. Séminaire de Québec Collections. Musée de la Civilisation. Creative Commons BY-NC-ND 2.5 CA.

Henri Bonnart. Aniaba Roi d’Essenie. c. 1700. Engraving. Public Domain. Source: https://gallica.bnf.fr

Performing Transdisciplinarity

Image header: François Denis Née, after Joseph Barthélemy Le Bouteaux. “Le Concert.” In Choix de Chansons: A Digital Critical Edition (2020). Retrieved from https://choixdechansons.cdhr.anu.edu.au/2020/09/02/le-concert/.

Marginalia and the Early Woman Writer, 1530-1660

Image header: Lady Jane Grey’s Prayer Book. c. 1539-1544. MS Harley 2342, fols. 74v-75r. Harley Manuscripts. British Library. Public Domain.

Anne Boleyn’s Book of Hours. MS Kings 9. Kings Manuscripts. British Library Public Domain.

Mary Queen of Scots. Book of Hours (Horae). Latin MS 21, fol. 113. Medieval Collection. University of Manchester Library, UK. University of Manchester Library Creative Commons.

French transcription: “Mon Dieu / Cofondez mes / ennemys / M.” English translation: “My God / confound my / enemies / M[arie].”

Transforming the Early Modern Archive: the Emmerson Collection at State Library Victoria

Image header: Embroidered binding thought to belong to Queen Henrietta Maria. c. 1630. Image credit: State Library Victoria.

John Milton. Paradise Lost. London, 1688. First illustrated Edition. Image credit: State Library Victoria.

King Charles I. Eikon Basilike. London, 1649. Image credit: State Library Victoria.

Early Modern Women and the Poetry of Complaint, 1540-1660

Image header: Giovanni Antonio Galli. Saint Mary Magdalene. Oil on canvas. The Walters Art Museum. Creative Commons.

Palgrave Encyclopedia of Early Modern Women’s Writing

Image header: Master of the Female Half-lengths. Mary Magdalene Writing. c. 1520. Public Domain.

Material Cultures of Early Modern Women’s Writing Digital Archive

Image header: Johannes Vermeer. Woman Reading a Letter.  c. 1663. Oil on canvas. Rijksmuseum. Creative Commons.

Images left to right:

Livia da Porto and Daughter (Portrait of Countess Livia da Porto Thiene and her Daughter Deidamia, Paolo Veronese, 1552, Walters Art Museum, Creative Commons.

Carlo Crivelli. Mary Magdalen. c. 1480. Rijksmuseum. Creative Commons.

[Lucy Harrington?]. National Portrait Gallery London. Creative Commons.

Publications

Image header: Michelangelo Merisi detto il Caravaggio. St Jerome Writing (detail). Oil on canvas. Photographic reproduction in the public domain of artwork held in the Galleria Borghese, Rome.

Higher Degree Research Projects

Image header: Isaak Soreau. Still Life with Chinese Bowl and Vase of Flowers (detail). Oil on panel. Walters Art Museum. Creative Commons.

Resources

Image header: Adam Bernaert. Vanitas (detail). c. 1660-1669. Oil on panel. The Walters Art Museum. Creative Commons. 

Affiliate Members

Image header: Bartolomeo Cavarozzi. Virgin and Child with Angels (detail). c. 1620. Oil on canvas. The Museum of Fine Arts, Houston. Creative Commons.

Affiliate Centres

Image header: Attributed to Jacques-Albert Gérin. Balthasar (detail). c. 1700. Oil on canvas. The Walters Art Museum. Creative Commons.

Join us

Image header: Joris van Son. Allegory on Human Life. Oil on canvas. The Walters Art Museum. Creative Commons. 

Post Feature Image

Master of Guillebert de Mets. Leaf from Book of Hours of Daniel Rym, Saint Daniel in the Lions’ Den. Flemish. The Walters Art Museum. Creative Commons.